Here is the first part of the quotation:
In this idea originated the plan of the 'Lyrical Ballads'; in which it was agreed, that my endeavours should be directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith. (Samuel Taylor Coleridge 1817. Biographia Literaria ch. 14 p314 in Samuel Taylor Coleridge, ed. by H.J. Jackson, Oxford, 1985)
For example, it is no great stretch for the creators of Battlestar Galactica to introduce robots that are indistinguishable from humans in every way, down to their anatomy and physiology. It is a sci-fi show, and therefore the audience is expecting strange things. Likewise, in the Matrix, it is not a stretch that in the virtual world, Neo can move faster than a bullet, or that one can jump across impossible distances from rooftop to rooftop. The audience expects this kind of un-reality reality. And this is the kicker, because the threshold of willing suspension of disbelief is already so high, these shows can stretch reality in other ways, especially on the religious and philosophical boundaries of what moderns call reality.